Color Theory: Harry Partch Ensemble and the Prism Quartet

From April to June of 2016, I will join the Harry Partch Ensemble and Prism Quartet for the realization of a new piece, Skiagrafies (Shadow Etchings, in Greek), composed for saxophone quartet and Harry Partch instruments. The project also features new works by composers Steven Mackey and Ken Ueno, and will include a performance of Harry Partch’s Castor and Pollux, one of his most iconic works. We will start rehearsing in Los Angeles in April and will present the program in Philadelphia and New York in early June. In the weeks prior to the performances well as a series of concerts, lectures, and activities that will take place in Philadelphia and New York City.