From April to June of 2016, I will join the Harry Partch Ensemble and Prism Quartet for the realization of a new piece, Skiagrafies (Shadow Etchings, in Greek), composed for saxophone quartet and Harry Partch instruments. The project also features new works by composers Steven Mackey and Ken Ueno, and will include a performance of Harry Partch’s Castor and Pollux, one of his most iconic works. We will start rehearsing in Los Angeles in April and will present the program in Philadelphia and New York in early June. In the weeks prior to the performances well as a series of concerts, lectures, and activities that will take place in Philadelphia and New York City.
June 12, 2016
509 Atlantic Avenue Brooklyn, NY 11217
$22 general admission/$17 students for advance purchases only. $25 general admission/$20 students at door. Online sales are not available on day of show. Please purchase tickets at the door on June 12.
June 11, 2016
Composers Steven Mackey, Ken Ueno and I will join composer David Ludwig in a panel discussion of our work, focusing on the new pieces composed for the Color Theory project.
Curtis Institute of Music
Field Concert Hall
Entrance free, but tickets required
June 11, 2016
Kimmel Center for the Performing Arts, Perelman Theater
300 S. Broad Street, Philadelphia, PA 19102
6:30 Panel Discussion; 7:30 Concert
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